DreamForge Anvil | Issue 18

With these five fantastic tales, we explore the idea of “Solitary Journeys, Shared Souls.” Meet an alien species whose communal memories include seeing ‘a rock so green it hurt,’ and a man institutionalized for curing the psychic pain of others. Then there is the floral intelligence that communicates by digesting its… prey? Lover?

December 2024

Our Contributors
Jared Oliver Adams
Recipes for a Voyage to the Far Shore
Jared Oliver Adams lives in Knoxville, Tennessee, where he writes, explores, and dabbles in things better left alone. He holds two degrees in music performance, a third degree in elementary education, and is utterly incapable of passing a doorway without checking to see if it leads to Narnia. Find him online at www.jaredoliveradams.com

Story Notes for "Recipes for a Voyage to the Far Shore"
The ending of The Lord of the Rings, where Frodo departs Middle Earth on an elven ship to the “Undying Lands,” has struck me ever since reading it as a boy. Even then, something seemed wrong about it, though I couldn’t articulate what.

Earlier this year, the idea of such a ship resurfaced in my mind, and I thought to myself “who would crew such a ship?” As I started to write about the ship’s cook, I slowly began to probe that unsettling feeling left by Tolkien. Questions began to coalesce: Who gets to go to the Undying Lands? How is your passage earned? And what about all the people who aren’t in a position to earn it? We can’t all be Frodo, saving the world (though, notably, he couldn’t have done it without poor Gollum).

As a person who believes in a version of “The Undying Lands” in which all are offered passage, these questions are very important to me, all the more because many in my own religion seek to formulate charts of “valorous deeds” required for boarding.
Erin Darrow
More Than Microscopic
Erin Darrow writes fantasy and science fiction inspired by nature, ecology, myths, and fairy tales. After migrating near and far, she settled in Aotearoa, New Zealand. When not writing or reading an endless stack of books, she wanders the wilderness, watches birds, cuddles cats, and takes too many nature photos. Find her online at www.erindarrow.com

Story Notes for "More Than Microscopic"
The seed of this story began as a whimsical idea of magical phytoplankton blooming with mer song. From there, it grew into a lunarpunk fairytale and dug its roots in a future world altered by sea level rise and climate change.
Mark English
Ties That Bind
As an ex-rocket scientist Mark has an unwitting talent for taking the everyday magic out of twinkling stars, sunsets, colourful flames dancing in a roaring fire, and rainbows. This does not stop him seeing the magic differently and in alternate colours. The newly reconstructed rumbly city of Christchurch, NZ, is where he hails from. This has touched a lot of his writing, be it science fiction or the darker speculative style that reflects his experiences. New Zealand hosts an amazingly supportive speculative fiction society, and Mark acknowledges the major part that SpecFicNZ (https://specfic.nz/) has played in encouraging his work, and also Critical Mass (you know who you are!) for being the critique group he needed.

You can find other works by Mark in Abyss & Apex Magazine, Escape Pod, Perihelion as well as numerous anthologies and Antipodean SF where he is part of the narration team.

Story Notes for "Ties that Bind"
We are not singular people as such, though we think we are. There are threads of ideas, feelings, and longing that interweave our lives with the lives of others. Then there are darker threads of connection such as debt, fear, and addiction that hold us into the pattern of our lives more strongly than any conscious self-direction, outside of what we consider to be our autonomy. Through our actions we alter them, but what if someone could see and interact with them directly? Would that be a good thing? Often unwanted and unasked for interventions can trigger a very oppositional reaction.
Taylor Jones
Cross-Pollination
Taylor Jones writes fiction and poetry about the possible future and the impossible present. Her work is often inspired by her background in and love of biology. Her writing and art have appeared in Reckoning, Spit Poet Zine, Smoky Quartz, South Broadway Ghost Society, Interstellar Flight Press, and Barren Magazine. She lives in Denver, Colorado, in a house full of plants. Links to her work can be found here (https://linktr.ee/trjonesartwork)
Akis Linardos
Imagination Era
In a cove of a Greek island, Akis was born a rather peculiar infant and has only grown stranger every year. By day, he's a researcher of biomedical AI and ethics, hoping there's something less dystopian to come from this technology. His words have wormed their way into Apex Magazine, Gamut, Strange Horizons, Flame Tree, Uncharted, and now DreamForge, among others. Visit his website for updates on his dreadful machinations: https://linktr.ee/akislinardos

Poetry Notes for "Imagination Era"
I am in a unique position in-between the AI sector and the writing industry. It often felt like my two worlds collided, but more importantly it felt there was an opportunity to offer my unique perspective on things. I recently wrote a review paper labeled Dawn of Imagination Age: Addressing Ethics of Generative AI Leveraging Lessons from the Healthcare Domain. The paper's aim is to highlight the ethical blunders current generative AI makes, and provide guidelines to address them. After finishing this work, I wrote a story called Imagination Age, where a robot learns its own ethical code to make his parents (his programmers) proud. Imagination Era is a poem off-shoot of that story.
Wulf Moon
Wulf Moon's SUPER SECRETS: You Can’t Stop the Signal

Wulf Moon learned oral storytelling as a child when he lived with his Chippewa grandmother. He begged stories from her every night and usually got his wish—fireside tales that fired his imagination. If Moon had a time machine, those are the days he would go back to. Since he doesn’t have a time machine, he writes.

Moon wrote his first science fiction story at fifteen. It won the national Scholastic Art & Writing Awards, and became his first professional sale in Science World. He has won over forty writing awards, and thirty in public speaking. His stories have appeared in Writers of the Future Vol. 35, Best of Deep Magic 2, Galaxy's Edge, Best of Third Flatiron, and Star Trek: Strange New Worlds 2 . Moon is a professional voice-over actor and has done work for magazines and bestselling authors Jeff Wheeler, Mike Resnick, and Will McIntosh.

Wulf Moon's award-winning SUPER SECRETS Writing Resource and Workshops have been attributed by many aspiring writers as the secret to their success in obtaining first professional sales and winning major contests. You can discover Moon's books on writing by visiting his website. Want in on the Secrets? JOIN THE WULF PACK at www.thesupersecrets.com!
Jack Morton
A Ray So Alone
Born in New Brunswick, Canada, Jack Morton studied English and Writing at the University of Toronto. His stories can be read in Radon Journal, Year’s Best Canadian Fantasy and Science Fiction, Parsec Ink’s Triangulation, Vast Literary Press, and Woodward Review. He lives in Toulouse, France.

Story Notes for "A Ray So Alone"
The rays of A Ray So Alone presented themselves to me nearly fully formed, their appearance, their personality, and their voice when communicating. Lily and Will came about later as a response to the questions I had about ray culture and lifecycle, respectively.
Lily has suffered loss, faced her own mortality, and fears forgetting and erasure. None of those concepts make any sense in ray culture. But she connects with their empathy and curiosity.

I wish I lived with more empathy and less fear, more curiosity and fewer regrets, but that doesn’t mean the rays should be seen as aspirational. If someone invited me onto a fleet of self-sustaining drones built for interstellar travel with vast databanks capable of carrying my uploaded memories with them on an eternal quest of exploration, would I say yes? Give up the human individuality and attachment to one specific creature that give Lily her agency? I don’t know if I’d like to become a ray.

I would love to meet them though.
DreamForge Staff
Jane Noel
Editor, Editorial Selections, Essays, and more.
Jane is the Founder of Chroma Marketing Essentials, a digital marketing agency located in Jeannette PA.  She holds a degree in Visual Communications from the Art Institute of Pittsburgh and more years of experience than she cares to count. 

Before founding CME, Jane worked as an Artist, Art Lead, Art Director, and Project Manager for the computer game developer DreamForge Intertainment, where she worked on a number of early computer games, including Roger Zelazny’s Chronomaster.
Scot Noel
Editor, Editorial Selections, Essays, and more.
Scot Noel is a content writer for websites, blogs, social media, e-newsletters, and the like. Speculative fiction has always been his obsession, resulting in a Writers of the Future 2nd place win in 1990, a 7-year career in computer game development, and a handful of published stories, ranging from far future and zombie fiction to the tale of a fairy sheriff fighting an evil dragon. He serves as the editor and publisher of DreamForge Magazine and DreamForge Anvil.
Henry Gasko
Editorial Assistant
Henry Gasko was born in a displaced persons camp in Yugoslavia after World War Two. He was raised on a vegetable farm in Canada, and emigrated to Australia more than forty years ago. He has recently retired from a career in data analysis and medical research.

Henry has had stories published in the anthologies "Dreamworks", “Alternate Apocalypse”, “On Time”, in Australia's  Aurealis  magazine, and in the  SciPhi Journal .  He is a two-time semi-finalist in The Writers of the Future and he won first prize in Positive Writer's "Why I Write" essay contest. He also won the 2018 Sapiens Plurum short story competition, and came third in the 2020 competition.

When he is not writing, he enjoys cycling, kayaking, swimming and playing bridge.